News
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“Pareidolic Cinemas,” with Lana Lin
I co-authored an essay with Lana Lin for Portable Gray’s Spring 2024 issue on “Paraäcademia.” We constructed a crossword puzzle as an eccentric device for considering pareidolia — the tendency to discern images in randomness — as a decolonial survival strategy in the films of three women/non-binary artists.
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Midwood Movie
Official selection of Prismatic Ground. May 11 at Anthology Film Archives, New York, NY. About the film →
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“The Feral Film Habit of OJOBOCA”
Journal of Environmental Media, special issue ‘Cinezoonosis,’ 4.2 (2023): 187–212.
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“Gestational Filmmaking with ART: An Odd Pair”
Portable Gray 5.2 (Fall 2022): 278–291. Published for the Gray Center for Arts and Inquiry.
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“Propositions for Feral Filmmaking in the Work of Ojoboca”
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“Home Works: Making Art at the End of the World”
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NYSCA Individual Artist Award
New York State Council on the Arts award for Midwood Movie (category: Film, Media & New Technology; fiscal sponsor: UnionDocs Center for Documentary Art).
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Flaherty Preservation Initiative
In conjunction with NYU’s Moving Image Archiving and Preservation (MIAP) preservation fund, Garden Roll Bounce Parking Lot (2010) was selected for archival preservation.
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Lightpress Grant
Interbay Cinema Society. Grant awarded to digitize six of my short films made between 1994 and 2003 at Lightpress film laboratory.
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“Touching Teaching: Animating Care and Conjuring Closeness in Contactless Times”
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The Shifting Ecologies of Photochemical Film in the Digital Era
Presenting at the online conference, June 10, 2021, 11 am EST.
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“Re/Lens: Old Glass for New Eyes”
A workshop with Amir Husak and Melissa Friedling. March 14, 2020, livestreamed.
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All My Fathers
October 3–20, 2019, at La MaMa Experimental Theater Club, New York, NY. About the project →
